Flip

Flip (2003) shows a microphone being zoomed forward by a hand flicking through the pages of a flipbook. By revealing the gap between the boundaries of the flipbook and the video screen, a contradictory space is opened up in which the microphone records a sound existing outside its own mediated space – that of of its own animation. This forms a circuit of self-referentiality between the animated space and the animating space, created by a layer of digital illusion that merges the two.